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  • HAMMERHEAD delivered 120 shots that were used in the BUS sequence.
  • All interior shots aboard the bus were shot on a greenscreen sound stage.
  • Live action plates taken while driving the streets of New York were composited into the windows to give the feeling that the bus was moving.
  • To add to the realism, many of the "flaws" of reality were added including scartches in the windows, distortions and reflections.
  • The work turned out so seamlessly that the (self-proclaimed) "visual effects cursed" SYDNEY POLLACK claimed to want to shoot his future projects the same way.

THE INTERPRETER

UNIVERSAL STUDIOS (2005)

DIRECTOR - SYDNEY POLLACK / VFX SUPERVISOR - JON FARHAT

HAMMERHEAD VFX SUPERVISOR - THAD BEIER / HAMMERHEAD PRODUCER - MICHELLE EISENREICH

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